Read Amazing Spider-Man Epic Collection: Spider-Man No More (Amazing Spider-Man (1963-1998)) By Stan Lee
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Ebook About Collects Amazing Spider-Man (1963) #39-52 and Annual #3-4, and material from Not Brand Echh #2.John Romita Sr. joins Stan Lee, elevating Spidey’s adventures to new heights — beginning with a Green Goblin epic that establishes him as Spider-Man’s most dangerous enemy! And then the Rhino, a bulldozer on two legs, threatens to make Spidey an endangered species. The action keeps pumping with Spidey’s first meeting with the Avengers, the Shocker, the return of the Lizard, Kraven the Hunter, an all-new Vulture and the first appearance of the Kingpin! But the true heart of the story is young Peter Parker finding his way in the world. He gains new independence as he gets his own pad with Harry Osborn, courts Gwen Stacy — and, in comics’ most unforgettable entrance, meets Miss Mary Jane Watson!Book Amazing Spider-Man Epic Collection: Spider-Man No More (Amazing Spider-Man (1963-1998)) Review :
Let's just be honest here: we can love Steve Ditko and still say that John Romita, as the back cover correctly says, brings the Spider-Man title to its next level. Peter Parker starts to become cool--he gets a motorcycle and "hits the jackpot" with the debut Mary Jane Watson. Interesting reading the source material for an estimated nine cartoons and six Hollywood films: Was Stan Lee reading Archie Comics? I ask because Harry Osborn seems to be Jughead, Gwen Stacy and Mary Jane Watson compete for Veronica, with the loser becoming Betty Cooper, while the actual comics' Betty, Miss Brant, gets married. Thoroughly enjoyable: I bought it because of the two-part Goblin story that was part of the classic of my childhood, "Bring on the Bad Guys," and was thoroughly pleased to read the first appearance of The Rhino! Avengers and Human Torch solo completists need it for Annuals 3 and 4, more pleasant surprises. I'm not sure why the Amazon product description reads "(Amazing Spider-Man (1963-1998)". This collection is roughly a year of the "Amazing Spider-Man" 'volume 1': #39 ('August' 1966) through #52 ('September' 1967), plus annuals #3 & #4, a "Spidey-Man" parody from "Not Brand Echh" #2, and reproductions of some of the original art.It's pleasant, largely bloodless superhero action with the angst-ridden hero, the good-looking, well-built college man Peter Parker, too distracted for friends, missing dates, and nearly scaring his elderly aunt to death as he wisecracks his way through battles with several of his classic foes and assorted thugs. All stories are attributed to Stan Lee (presumably in the classic Marvel collaborative system.) #39 was artist John Romita Sr's debut to the series; initially there are some anatomical awkwardnesses but he hits a smooth stride by #42 which continued through #52 and beyond. He provided the layouts for annual #3 (November 1966) but the artist is Don Heck with Mick Demeo's inks; for #4 (November 1967) Lee's brother Larry did the pencilwork and Mike Esposito inked. Artie Simek, Sam Rosen, and Jerry Feldman handled lettering. The colorist is not listed; Marie Severin?#39 starts out with the Green Goblin returning for revenge on our hero; both learn each other's identity; Pete and Harry Osborn become friends; Gwen Stacey is increasingly interested in Peter; Betty Brant returns but she and Peter have lost their connection, while Ned Leeds pursues, and ultimately proposes to, her. Norman Osborn winds up with amnesia in #40. The Rhino, and Pete's motorcycle, debut in #41. It's triple trouble for Pete in #42, when J. Jonah Jameson's astronaut son John develops super powers of his own, The Rhino is in hot pursuit, and Mary Jane Watson debuts. Spidey wraps up The Rhino in #43. The continuity is interrupted with the 72-page tASM King-Size Special (annual) #3: The Avengers test Spidey prior to offering membership, but it all ends in tears, and not just of The Hulk's pants. Next is #44: The Lizard returns, but despite all the angst, by #45 Spidey finds he can handle the mutated Dr Connors with one hand tied before his belly. In #46 The Shocker debuts, and Pete finally moves out on Aunt May. In #47 Kraven The Hunter returns, followed by The (new and improved) Vulture in #48. Both threats are wrapped up in #49; #50 is headlined with the dire words, "Spiderman No More!" Pete changes his mind on that one, however, just in time for the debut of crime boss The Kingpin, while underworld stoolie Patch reveals himself to be none other than ex-con Daily Bugle reporter Frederick Foswell. In #51 The Kingpin plans a citywide crime-takeover, kidnapping crusading publisher J. Jonah Jameson and overwhelming, but not bothering to unmask, disarm, or kill Spiderman himself. #52, "To Die A Hero," brings The Kingpin's crime-control efforts, and Foswell, to an end. The 72-page tASM King-Size Special (annual #4) concludes the serious adventures, with Spidey apparently in conflict with The Human Torch from The Fantastic Four - behind the scenes, however, it's none other than old enemy Mysterio and his new accomplice The Wizard. Afterwards we get a couple pages of orientation to our hero and his universe ("The Coffee Bean Barn", "Favorite Foes", "Spidey's Greatest Talent", "Petey's Pad", etc.) This is followed by the 8 page "Spidey-Man vs. Gnatman and Rotten" section of "Not Brand Echh" #2 (the rest of the issue, "Ironed-Man vs. Magnut Robot-Biter" and "Knock Furious Agent of S.H.E.E.S.H. vs. Blunder Agents", is NOT included). Stan Lee wrote the parody, illustrated by Marie Severin: in it J. Jawbone Junkton calls Commissioner Goodguy and directs him to contact Gnatman, sending him on a mission to get rid of Spidey-Man; unfortunately he has simply substituted one irritation for another. The collection finishes up with fifteen pages of Romita's pencil and ink layouts for some of the included stories, plus a little promotional art.The superhero soap-opera was Stan Lee's great contribution to the medium and there's an engaging spirit to his stories that just isn't there for later writers, imho. Nevertheless the series is different without Steve Ditko. Romita was a commercial artist, and there's a kind of interchangeable attractiveness to his characters - Peter is just too perfect. It's fun stuff, though.I got the Kindle version; it's all clear and you can double-click on a panel to see it full-size, if your screen otherwise shrinks it. 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